Our Team:

Founder, Program & Editorial Director: Isa Radojcic

Isa Radojcic is a cultural theorist, artist, author, and curator whose work encompasses theory and process-based research. Driven by anti-hierarchical, immersive approaches and the belief that art can function as a vehicle for spirituality, Isa’s work responds to the dominant political, ethical, and social values of our time.

Her visual work has been featured in spaces including 0-0 LA, Los Angeles Metaphysical Library, The Barker Hanger, ODD Ark LA, Other Places Art Fair. Her literary and curatorial work has been featured in spaces including The Underlinings Collective with Sigrid Hackenberg, OOF Books, HowellGreen Fine Art Gallery, Desuetude, and Marmo. She has also participated in arts and academic residencies, including the Caldera Arts Center, and Centrum Artists-in-Residence program.

She holds a liberal arts Bachelor’s degree from The Evergreen State College, a Master’s in Critical Theory and Creative Research from the Pacific Northwest College of Art, and has pursued advanced studies at The European Graduate School.

As Program & Editorial Director, Isa oversees arts programming and publications and shapes the vision and day-to-day experience at Marmo, creating a space where community, creativity, and critical engagement intersect. She hopes to inspire and foster a creative community that supports unique voices and ideas.

Literary Programming Coordinator: Jeff Corey

Jeff Corey’s poems have appeared in The Worcester Review, Whitefish Review, San Pedro River Review, and elsewhere. He works as a freelance writer.

As Literary Programming Coordinator, Jeff organizes Marmo literary events, overseeing curation of poetry/prose readings, and facilitating communication between authors and Marmo.

Editor: Tania Colette

Tania Colette B. is an artist based in Seattle. Her work explores the sculptural byproducts of political capitalism and state power. With sculpture, installation, found photography/video, and a broad range of other media, she re-stages sites of social resistance, economic failure, and environmental exploitation in order to examine them from a material vantage point. Her current projects center on tactics of “sculptural resistance”: barriers and monuments built by protestors in order to circumvent, resist, and critique state violence. She holds an MA in Culture Industry from Goldsmiths, University of London (2020) and a BFA in Sculpture from California College of the Arts (2014).